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A photo - A History - A photo

CHURCH Sant'Egidio Abate (Part 3 / 3)

The church in the shape of a Latin cross is very simple in its architectural structure, the facade has pillars with Ionic capitals on the first order, the second composite, which give a nice boost of sobriety and clarity.

La navata centrale con volta a botte è riccamente decorata con stucchi semplici, con archi ad ogiva, vele delle finestre a semicerchio e coppie di colonne con capitello dorico. La zona che meraviglia è la parte del transetto e del timpano. Nei recenti restauri, tutti noi abbiamo riscoperto una nuova chiesa di sant’Egidio. Il tetto del transetto fino a qualche tempo con volta a botte è stato completamente staccato per mettere in risalto il magnifico tetto a capriate lignee della chiesa precedente alla grande trasformazione subita nell’ottocento. Con i restauri però qualcosa di sorprendente è venuto fuori e ci ha meravigliati tutti, oltre 450 metri quadri di affreschi ornavano tutto il transetto. Era una sorpresa che ci si aspettava, for over sixty years was known of the existence of these frescoes, but unfortunately nothing had been done to bring them to light until 1998, when the wonder of many have appeared in their beauty.

The frescoes date back almost certainly at the end of the sixteenth century, as regards the right wall is known as "the Fathers of the Church," while the left wall of "The Passion of Jesus Christ" should not be more than half of the seventeenth century. But at the center of this wall was a wooden cross at the end of the sixteenth century, now in the church. It is hoped that the same returns in the place where it was collected. Apart from the stylistic reasons that can not be the frescoes of the periods given above for several reasons, say historical. At the end of the 500 Linguagrossa passed into the hands of Baron past few years which Bonanno from his oath to observe the local customs, their oath took place in the Church of St Giles February 14, 1606, begins with his "et worsening harassment ' to the people. Try to get even the pure and mixed empire , ie civil and criminal jurisdiction on the population and this led him to finally break the relationship, mai sano, tra lui e i linguaglossesi.

            Il Bonanno però non poteva, per ragioni fiscali, perdere il suo potere sui suoi sudditi, e con una mossa astuta decide di costruire una grande chiesa, per ringraziarsi la benevolenza dei cittadini di Linguagrossa, nel 1613 inizia la costruzione dell’attuale chiesa Madre. Tutte le sue risorse economiche, soprattutto i proventi che vengono dalle tasse esorbitanti che riscuoteva, vengono impegnate nella costruzione della chiesa. La chiesa di sant’Egidio funge ancora come chiesa madre del paese, questo ancora for a few years until the inauguration of the Mother Church took place in 1636, from this year onwards for over 150 years the church did not suffer any improvements. Another reason why the frescoes not be dated later than 1640 and the disastrous economic situation that the country faces as a result of a reduction to the Royal Property in 1634. And yet the great famine of 1673 that decimated the country. But why are the frescoes Inalbi, perhaps because of some plague, it was believed that they were carriers of infection, or perhaps a change in architectural taste, most likely this is the reason.

In 1885 Bishop John Previtera, (1844-1904) Bishop of Patti, Archpriest of the country when he was made to move the statue from the altar of the holy right side altar and erected at his own expense a chapel rich marble inlays very beautiful.

Inside the church there are paintings of exquisite, all of the nineteenth century, "Saint Alphonsus Liguori" probably Pasquale Sciacca, San Vincenzo Ferrieri "and" Martyrdom of Saint Erasmus "in 1848, both of Emanuele Grasso, the "Lady wasteland between San Pedro and San Pasquale" and the "Martyrdom of Saint Apollonia" perhaps Provenzani Domenico, and yet the "Souls of Purgatory" in 1878 by Giuseppe Minutoli, le statue della "Madonna di Lourdes" e di "San Giuseppe".

Nella chiesa si conserva anche il Fercolo su cui viene posto il santo quando viene portato in processione. Opera di Antonino Puglisi da Linguaglossa, tra l’altro autore del fercolo del Cristo Morto conservato nella Chiesa del Calvario. È un fine lavoro di intaglio tutto rivestito in oro del 1864. “La squisitezza decorativa è diffusa in ogni particolare con tutta l’oculatezza dell’orafo: ad esempio, le eleganti colonne rudentate, decorate alle basi di un fine rilievo e sormontate da capitelli, accentuate nell’aggetto; i fregi della base e della trabeazione, cui danno una vivace nota i dentelli e le mensolette; i quattro angoli, il reliquiario and the interior panels carved in red background with gold. "

The fercolo the saint in 1923, thanks to the donation of the devotee of Ferrara Egidio Mariano, was placed on a cart to be able to bring in a procession with more comfort.

The saint as in most of the performances and as an abbot with machine guns and bacolo, unlike the saint Nordic representations have next to where the doe nurse. The statue is very simple but evokes the viewer great pathos. The miter bacolo and silver, the bacolo miraculous eruption of 1923, were given away by the family of Regan after the eruption of 1865. bacolo More silver was given later by Philip Regan the eruption of 1809. Great devotees Regan, after the miracle of 1923, Rosario Regan had to redo the entire floor of the church of the saint, as a vote except for having its own district in Caristi hazel, in Cerro, the floor has been removed in recent renovations.

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05 - A History - A photo

LA CHIESA DI SANT'EGIDIO ABATE (Parte 2/3)

La sirena bicaudata, nella scultura romanica, si diffonde in molti paesi d'Europa ed in particolar modo è raffigurata nei capitelli e nei portali delle chiese romaniche. Spariscono dalle decorazioni delle cattedrali nei secoli successivi, probabilmente per un più assiduo controllo dei committenti ecclesiastici. Così nei corredi funerari, lampade, gemme, piastrelle, affreschi, urne e sarcofagi portano impresso il segno della sirena bicaudata, potente talismano in grado di accompagnare l’anima del defunto verso l’ultimo e il più pericoloso di tutti gli attraversamenti: quello delle acque avernali. La sirena bicaudata entrerà poi tra gli stemmi distintivi usati dai tipografi. Generalmente viene rappresentata con lunghi capelli, quelli dei Nazirei, simbolo occulto del Cristo. La sirena a simbolo delle tentazioni e dei bassi istinti, animaleschi, che mettono alla prova l’individuo.

Una sirena bicaudata esprime il principio del dualismo cosmico che si manifesta nella creazione, la transizione, una metamorfosi radicale come quelli preposti alla nascita, o al passaggio dall’adolescenza alla maturità, dalla verginità al concepimento, dalla vita alla morte. Così nei corredi funerari lampade, gemme, piastrelle, affreschi, urne e sarcofagi portano impresso il segno della sirena, potente talismano in grado to accompany the soul of the deceased to the last and most dangerous of all the crossings: the water Plutonian.

Recent restorations, to say the least radical it was discovered that the church, although built in a very long period, it is apparent from the various works of construction, and has always been what today has come down to us, no longer then the addition of a nave to the transept of the said "Holy Souls", the name comes from the part of Joseph Minutoli of 1878, which is precisely the Holy Souls in Purgatory. Maybe in 1510 we added the bell tower and the sacristy.

What is certain is that the church already existed in 1308, since this would have to pay the tithe to the Vatican. In sheet number 111 to 886 of the tenth year of 1308-1310 reads: "Presbyter Iohannes cappellanus ecclesie S. Egidio de big Language", and again for Lingfield and still referring to the same church, in the instructions 103/verso number 524 reads: " cappellanus Languages \u200b\u200blarge tar. II" and the sheet number 107 to 671 reads: " cappellanus casalis Languages \u200b\u200blarge tar. I, gr. X".

From these data is obtained so that the Church of Sant'Egidio had to exist by the end of two hundred, and was certainly the Cathedral Church of the country. It was not the only existing church in the territory of Lingfield, in the district known as the " Fontanelle, not far from the town, the hills that surround the country, was the ancient Abbey of St. Catherine:" The first this Abbey Monastery of Saint Catherine was built up to the roots of the forest that nowadays is called the Monaco for the monks who lived there. At present we can see the relics of ancient stones framed in place of nuts in this convent of the Carmelite Fathers in that district called the plan almost a half mile away from the city. This wood is reduced in most vineyards, hazel and chestnut subject to census Abbey owned it, and in sfossar of them will have found other signs of ancient tombs and Flats, but having been abandoned monastery that was manufactured in the City. " Other country churches were all around the country, the Church of St. Nicholas the Greek, that of San Nicola di lu Salvagnolu and San Marco, who were in the land of Jesus and Mary. The church was then dedicated since its inception in Sant'Egidio " Initio fundationis et huius aedificationis Civitatis . (Continued)

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CHURCH Sant'Egidio Abate (Part 1 / 3)

The church of Sant'Egidio Abate is the oldest among the churches that exist today in Lingfield. Almost certainly it was built after the period of Norman domination. When in 1145 Linguagrossa is already a reality, there was a small church nestled in the woods Rahab just where today stands the Church of Sant'Egidio, one of the church today is not the Gothic portal into the wall east of the transept. When it was decided to demolish it to build a more grande si decise di inserire a ricordo il vecchio portale; lo stesso in seguito non venne mai utilizzato come ingresso secondario, infatti si trova fuori asse dal centro della facciata del transetto, per anni si è creduto che il transetto fosse la chiesa preesistente alla chiesa attuale ingrandita nel XVI secolo, era probabilmente la chiesa esistente prima che si costruisse quella attuale, e che . Infatti si nota chiaramente che lo stesso si trova spostato a destra rispetto all’asse centrale della parete. Un discorso a parte va fatto per questo portale che tante discussioni a fatto sorgere tra gli studiosi di storia patria. Ci piace qui riportare la descrizione un po dotta ed anche prolissa che ne fa l’autore Anonino di una Storia di Linguaglossa della fine del settecento:

“I nostri antichi levarono per armi della Città una ninfa Serena che impugna due serpi. Se bene doppo la reduzione al demanio avesse levato l’Aquila  come  in  segno  d’armi regie.  Dalle finzioni degli antichi non vi è dubbio veruno che molte e diverse utilità si possono raccorre. Altri ne inseguono precetti di religione, altri di moralità e di simiglianti benefizi. Così dalle allegorie delle Ninfe si denota l’opera della natura, per esse ci viene significata la virtù vegetativa consi­stente nell’umor preparato, per le quali si fa la generazione, nutrizione ed augumento delle cose. Si dicono esser figliole Ocean, mothers of the Rivers, nudrici of Bacchus and Ceres, are said to be fruitful, vague flowers, grazing cattle and maintain the life of mortals. In br protection, as are mountains, valleys, ports the woods and trees under it to be the mood spread within these things ... Others, however, the figures painted in the corner of his Serene fish, but be that as it should, one and the other alludes to the story, the poicchè Serene, as we saw above, inhabited the banks of the River Acis. From various snakes still morality if they can get, there are symbolized for them the demons, so in many parts of Holy Scripture ... quasicchè although in fashion Mongibello arise from this river in any case does not take the rough and succido of that rather than opens fire Tartarean challenging and highly resistant to Demons trying to keep them far from him. And with this change turned our old one that was secular in true Catholic moral teaching that it is giving us the roots of Mount Etna in the fire according to the common opinion of many serious writers ... communication with the hell we should always stay vigilant and strong to resist not to let the demons to plunder our bitterest enemies, and scroll to the short span of our life in the sea of \u200b\u200bcrystal clear, this world. And if first representations of the gentle hill adored the Demons then reduced to the faith of Catholicism. "

nice interpretation, very imaginative and not too far from the actual interpretation of this symbol should be done as discussed in the past, leading those who are interested in our history a fascinating hypothesis, but far from reality.

The mermaid is one of the recurrent symbols of the medieval bestiary, poised between the concept of wisdom, charm and sense of eroticism and perhaps the hint of the soul awaiting purification. The mermaid is connected with the idea of \u200b\u200bthe double, expressed by the symmetry and the intersection, perhaps alluding to the ambiguity and the mystery of human nature, where the balance between body and soul, between earth and sky and constant insecurity, the only certainty in the daily battle between temptation and redemption, was, for medieval man, Christ the Judge of the Apocalypse .

St. Augustine said, "Life in this world is like a stormy sea through which we must guide our ship to the port. If this succeeds, resist the temptations of the Sirens, it will lead us to eternal life"

The sirens

-fish with a single tail are universally known, erotically charged from the waist up, asexual from the waist down. The mermaid, as represented by the hands that diverge on for almost two gynecological code-legs represent female sexuality in its entirety. A mermaid expresses the principle of cosmic dualism that manifests itself in the creation, transition, a transformation as radical as those responsible for the birth, or the transition from adolescence to maturity, the virgin conception, from life to death. is a symbol of femininity and fertility and Christianity also represents the duality of human nature (good and evil, reason-instinct). But in the diagnosis, either good or bad is always good and always bad, and this is the curse of creation. The hidden evil good and good and does the same tricks. (Continued)

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03 - History - 02

The Mareneve

The whole street named Mareneve, whose project was born from the mind and heart of valliggiani one of which more than any other gave himself wholly for the sake of our Lingfield, Hon. Attilio Castrogiovanni. He said The Hon. Selvaggi said, first discovered the Linguaglossesi like the sea and the snow here constitute, in their prime and nowhere else in Europe, a singular combination of multiple employment opportunities for tourism development of our land.
On 11 April 1947 in the presence of the High Commissioner for Sicily and a large group of parliamentarians and regional authorities, and was inaugurated over Station Square, a pillar of lava stone in memory of the beginning of the work. The path was already traced Mareneve and nearing completion.
The name was fascinating and continues to have a huge fortune. From the street name is passed to the magazine, bar, publishing houses, cottages, will certainly indicate to other institutions to a tourist. But when the name was born, and who was the inventor. In a letter dated July 30, 1958 Hon Attilio Castrogiovanni wrote in Santo Cali:

"...... Suddenly John Savage gave me the terrible proposal: - We will fund the road if there is a name that describes it in its essence, I give you time until tomorrow morning!

You can believe me when I tell you, dear Saint, that that night close my eyes .... I had before me the snow in our mountains and the blue sea of \u200b\u200bTaormina, the sea and snow, snow and Amre ... Thus was born the Mareneve do not know if for a fixed idea that for years associated the two ideas, or a sudden radiance ... "It was

born 'on the road from muntagna the Mareneve.